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Roman Turovsky-Savchuk is a painter and lutenist-composer. He was born Kiev, Ukraine in 1961, and emigrated to
New York City in 1979. He studied art from an early age under Mikhail Turovsky, his father (a prominent artist activein France and the U.S.A.). He continued his art studies in New York at
Parsons School of Design, having also concurrent studies in Historical Performance (Baroque
Lute) and Composition, under
Patrick O'Brien, Pier Liugi Cimma, Leonid Hrabovsky and
Davide Zannoni.
He began composing seriously in the early 1990s, simultaneously embarking on a career of a prolific figurative/representational artist-painter, and participated in many exhibitions. His first one-man show was held in June of 2006 in New York.
As a composer he largely limited himself to the instrumental idiom of the Baroque lute, eventually producing numerous instrumental and vocal compositions, some of which were premiered by
Luca Pianca at several international festivals (
Salamanca, Lisbon,
Schwetzingen,
Vilnius, Urbino and Paris).
As a performer he appeared as a lute soloist and
continuo player with
Julian Kytasty's "
New York Bandura Ensemble".
Roman Turovsky-Savchuk is a founding member of
Vox Saeculorum and The
Delian Society, two international groups devoted to preservation and perpetuation of tonal music. He is brother-in-law of the sculptor and stage designer
George Tsypin and brother of the poet Genya Turovskaya.
Allonyms
Since 1996 he has signed his musical works as "
Sautscheck", a German transliteration of the second part of his surname, with various first names such as Joachim Peter, Johann Joachim, and Konradin Aemilius. His musical works achieved wide circulation under this allonym. This also caused irritation for a few musicologists who perceived his works as a malicious
hoax because of their ostensibly baroque style, and led to a coinage of a new German language word, "sautscheckerei", which denotes a musical or literary hoax.
"Cantiones sarmaticae et ruthenicae", a collection of 200 Ukrainian folk melodies in Renaissance Lute settings/intabulations by Turovsky, was published under the allonym "Ioannes Leopolita".
References
Early Music America, 2007 (summer issue), p.43http://polyhymnion.org/swv/intervista.html Complete EAM interview
External links
- Polyhymnion
- Turovsky
- Vox Saeculorum
Roman Turovsky-Savchuk is a painter and lutenist-
composer. He was born
Kiev, Ukraine in 1961, and emigrated to New York City in 1979. He studied art from an early age under
Mikhail Turovsky, his father (a prominent artist activein France and the U.S.A.). He continued his art studies in New York at Parsons School of Design, having also concurrent studies in Historical Performance (Baroque
Lute) and Composition, under
Patrick O'Brien, Pier Liugi Cimma,
Leonid Hrabovsky and
Davide Zannoni.
He began composing seriously in the early 1990s, simultaneously embarking on a career of a prolific figurative/representational artist-painter, and participated in many exhibitions. His first one-man show was held in June of 2006 in New York.
As a composer he largely limited himself to the instrumental idiom of the Baroque lute, eventually producing numerous instrumental and vocal compositions, some of which were premiered by
Luca Pianca at several international festivals (Salamanca,
Lisbon,
Schwetzingen, Vilnius, Urbino and Paris).
As a performer he appeared as a lute soloist and continuo player with
Julian Kytasty's "
New York Bandura Ensemble".
Roman Turovsky-Savchuk is a founding member of
Vox Saeculorum and The
Delian Society, two international groups devoted to preservation and perpetuation of tonal music. He is brother-in-law of the sculptor and stage designer George Tsypin and brother of the poet Genya Turovskaya.
Allonyms
Since 1996 he has signed his musical works as "
Sautscheck", a German transliteration of the second part of his surname, with various first names such as Joachim Peter, Johann Joachim, and Konradin Aemilius. His musical works achieved wide circulation under this allonym. This also caused irritation for a few musicologists who perceived his works as a malicious
hoax because of their ostensibly baroque style, and led to a coinage of a new
German language word, "sautscheckerei", which denotes a musical or literary hoax.
"Cantiones sarmaticae et ruthenicae", a collection of 200 Ukrainian folk melodies in Renaissance Lute settings/intabulations by Turovsky, was published under the allonym "Ioannes Leopolita".
References
Early Music America, 2007 (summer issue), p.43http://polyhymnion.org/swv/intervista.html Complete EAM interview
External links
- Polyhymnion
- Turovsky
- Vox Saeculorum
